WELCOME TO PRINCETON AUDUBON.
As seen in The Royal Society of London.
Audubon author Bill Steiner regarding Princetons, "True prints, great color, incredible detail. Simply the finest Audubon facsimiles ever produced."
Princeton Audubon Double Elephant Edition
- Double elephants (full size)
- Limited editions 500-1500.
- Individually pencil-numbered and embossed with the Princeton Audubon Limited seal.
- Up to 11 color plates used.
- Specially developed fade-proof inks. Absolute color fidelity to the actual original.
- Printed on a 300 line.
- Life-size, 26 1/4 x 39 1/4.
- Very heavy archival paper which is recommended by the Library of Congress for archives and is specially toned to match the actual color of the antique originals.
- Registered to purchaser.
- As seen in New York Times
- As permanently displayed at The Royal Society of London, to which Audubon belonged as a Fellow.
Princeton Audubon was founded in 1985 and continues to offer stunning lithographs and archival pigment prints from Audubon's actual originals.
John James Audubon produced his original work in London during the early 1800's. We purchased these originals and through their physical use have produced the magnificent Princeton Double Elephant Edition, the world's only direct-camera folio fine art prints of these historic images. These are absolutely accurate documents of the actual originals. We also offer the finest of today's archival pigment prints, The Rare Prints Editions. These are double elephant sized and can be displayed together with our Princeton Double Elephant Edition. Next day shipping in most cases.
The Difference Is The Detail!
Click this image to enlarge. As you examine the area above the beak of this American White Pelican, incline your screen back and forth until you see what appear to be small dabs of black ink. While most reproductions will simply show a smooth wash of black, we have produced an actual document of the original. The 'dabs' are actually evidence of the aquatinting process used by Audubon's engraver, Robert Havell, in his London shop. Acid was used to create minute depressions in the copper plate, like tiny reservoirs where black ink would later settle. When then pressed into the paper, the result was what you see in the above example. Now that is fancy printing. If you can't ontain an original, purchase a Princeton.
"Its wings make music."
This is one of Audubon's finest compositions, The Ruby-throated Hummingbird. These birds were probably painted in Louisiana c. 1825. Hummingbirds, found only in the New World, fascinated Americans and Europeans of Audubon's day. To gratify this widespread curiosity with a number of views of the diminutive ruby-throat, he placed ten of them together, although in nature they are too pugnacious to associate this closely. He spoke glowingly of this bird of eastern North America: "No sooner has the returned sun again introduced the vernal season, and caused millions of plants to expand their leaves and blossoms to the genial beams, than the little Hummingbird is seen advancing on fairy wings, carefully visiting every opening flower cup." And Frank M. Chapman, in his Handbook of Birds of Eastern North America, wrote, "The Ruby-throat needs no song. Its beauty gives it distinction, and its wings make music."
In our view, this print of The Pileated Woodpecker is the finest Audubon reproduction accomplished of any image in any edition. It is spectacular! The detail and definition and color are simply outstanding. Next to the extinct ivory-billed, the pileated is the largest of all North American woodpeckers.
This plate, a combination of pencil, ink, watercolor, and tempera, is based on a painting probably executed in 1829 at Mauch Chunk, Pennsylvania, and considered to be one of Audubon’s finest works. He wrote, “When followed [the pileated woodpecker] always alights on the tallest branches or trunks of trees, removes to the side farthest off, from which it every moment peeps, as it watches you progress in silence.” Audubon also wrote: “The observation of many years has convinced me, that Woodpeckers of all sorts have the bill longer when just fledged than at any future period of their life, and that through use it becomes not only shorter, but also much harder, stronger, and sharper.”
Birds of a feather frame together! (At a discount!)
Some prints just naturally complement the other. For example, the Snowy Owl and the Iceland or Gyrfalcon. (See details above) Both are magnificent birds and their stark coloring only adds to their wall presence. The retail price purchased individually totals $1,950. Purchase both for $1,750. We suggest black framing with minimal matting. Use these links to see the prints. Snowy Owl. Iceland or Gyrfalcon. Use this link for purchasing. Add both to Cart. View other combination offers from the Information tab above. If you have your own favorites, we can make a similar offer for these as well. 908-510-1621.
Make Your Walls SCREAM!
Will the woods yet hear the screams of the Carolina Parrot? Sadly, this bird is now extinct, but our direct-camera print can make your walls scream with life! Audubon wrote of these parakeets, "The woods are the habitation best fitted for them, and there the richness of their plumage, their beautiful mode of flight, and even their screams, afford welcome intimation that our darkest forests and most sequestered swamps are not destitute of charms." In later years he was to write: "Our Parakeets are rapidly diminishing in number, and in some districts, where twenty-five years ago they were plentiful, scarcely any are now to be seen."
The Color Purple. (The Purple Heron)
Audubon drew both the birds and the background in Florida in April 1832. When he first saw them in the Keys, he puzzled at their coloration: “Some of them were as white as driven snow, the rest of a delicate purplish tint, inclining to grey on the back and wings, with heads and necks of a curious reddish colour. Males and females there were, but they were all of one species…” He concluded that those with white plumage were immature birds. He was incorrect, since in this species, coloring depends on the individual and has no relation to either age or sex. It is dimorphic and displays two color phases, one white, the other purplish blue. The birds illustrated here are both adults. The reddish egret inhabits shallow, open salt pans. When wading, it often rakes the bottom with one foot to stir up the prey and when pursuing fish, it has a habit of spreading its wings in a canopy, then running, hopping, and cavorting in a curious dance.
Original Audubon Imperial Quadrupeds
These measure app.21 x 28 inches.
Call for purchase information. 908-510-1621
Original Audubon Octavos
These measure app. 6 1/2 x 9 1/2 inches.
Original Octavo Birds.
Original Octavo Mammals.
Original Audubon Octavo Long-billed Curlew, plate # 355, 2nd Edition. Very Good condition. Normal paper toning consistent with its age. Slight coloration along the edges. Binding marks at the top. Very very faint and unobtrusive text offset toward the left edge of the image. Painted by Audubon in October 1831. Shows a beautiful view of Historic Charleston Harbor in the early 19th Century. Text included. We are selling this actual original for $550.
Original Audubon Octavo Louisiana Heron, plate # 373, 2nd Edition. Excellent Condition with bright colors and nice details. Very faint and unobtrusive fox marks at the bottom edge (under Bowen credit) and right edge (lower half). Binding marks at the top. $900