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John
James
Audubon
(1785-1851)
was born in
San Domingo,
Haiti, the
son of a
French naval
captain and
a French
servant
girl.
Audubon's
real mother
died shortly
after his
birth. Capt.
Audubon and
his legal
wife sent
young
Audubon to
France where
he was
raised.
In
order to
avoid
conscription
by Napoleon
when Audubon
was a young
man, J.J.
Audubon was
dispatched
to
Philadelphia,
Pennsylvania
to oversee
land owned
by his
father.
There he met
and married
Lucy
Bakewell,
who’s
lifelong
support was
critical to
Audubon's
success. In
their early
years,
Audubon did
not do well
in business.
After many
years he
finally
attained
fame as an
artist and
ornithologist
with the
publication
of his first
Birds of
America
double
elephant
folio
edition in
London
(1826-1838).
Audubon and
his wife
traveled the
U.S., as he
studied and
painted
wonderful
life sized
images of
hundreds of
birds.
Audubon went
to Scotland
and England
and
published
his first
work, The
Birds of
America.
These prints
were chiefly
engraved and
hand colored
by Robert
Havell Jr.
They were
printed on
"double
elephant"
folio sized
sheets of
watermarked
J. Whatman
fine wove
paper. From
1826-1838
these
aquatint
copper plate
engraved
sheets,
measuring
about 26" x
39", and
beautifully
hand
colored,
were issued
in 87 parts
of 5 prints
each. The
complete set
totaled 435
prints. They
were sold by
subscription,
and the
owners/subscribers
eventually
bound them
into 7
volumes. It
is estimated
that between
160-180
complete
sets of the
first
Birds of
America
were issued.
Today about
110 complete
sets
survive,
mainly in
museums and
other
institutions.
An unknown
number of
partially
bound sets
and
individual
prints
survive.
They are
quite rare.
The last
complete
bound set
sold at
auction for
$8.8
million.
Individual
prints sell
for
thousands of
dollars,
with a few
fetching
$100,000.00
or more.
The
success of
Audubon's
first
Birds of
America
brought
Audubon
Worldwide
acclaim.
Following
that
success, he
returned to
America and
set out to
issue a
smaller
version that
would
include more
birds (most
newly
discovered
in the
Western
U.S.). He
decided on a
1/8 or
octavo sized
sheet
measuring
about 6-1/2"
x 10". He
called this
set The
Royal Octavo
Edition of
Birds of
America.
The 1st
Edition of
500 plates
was
lithographed
and hand
colored by
J.T. Bowen
in
Philadelphia
and New York
from
1840-44.
They were
again sold
by
subscription,
and issued
in order by
species in
100 sets of
5 each. It
is estimated
that from
1000-1200
complete
sets were
issued. No
one knows
how many
complete
sets and
individual
prints
survive
today. They
are very
popular and
highly
collectable.
Today, a
complete set
in good
condition
would sell
for over
$50,000.00
at auction.
Individual
1st edition
prints sell
at dealer's
galleries
from
$50-$100
each, on up
to
$2,000.00+,
depending
upon
popularity.
The
1st Royal
Octavo
Edition of
Birds of
America
was
completed
under the
direct
supervision
of J.J.
Audubon. Up
to eight (8)
editions,
some text
only without
plates, were
issued from
1856-1889.
The most
important of
these
editions
were: the
2nd (1856),
the 3rd
(1859), the
5th (1861),
and the 7th
(1870
published by
Lockwood).
An 1860
letterpress
or text
edition was
issued
without
plates to
accompany
the Bien
Edition.
A
beige or
blue-green
printed
colored
background
generally
identifies
the 2nd and
later
editions on
each plate,
except those
with
landscapes
scenes. The
type on the
credit lines
at the
bottom of
the later
edition
prints is
generally
bold face,
as opposed
to the
italics on
most of the
1st edition
prints.
Today,
dealer price
lists often
list prices
for the 1st
octavo
edition, and
then lump
all the
later
editions
into one
price list
category
called
"later
editions",
with no
distinction
among them.
Dealers with
a large
inventory
of a
particular
later
edition will
often sell
them as
later
edition, but
give the
year they
were
published.
Following
the octavo
Birds of
America,
the Audubons
( J.J. and
his two
sons, John
W. and
Victor G.)
published
and issued
an Imperial
Folio
Edition of
The
Viviparous
Quadrupeds
of North
America.
From
1845-48, the
Audubons
issued, by
subscription,
150 hand
colored
stone
lithographed
images of
mammals of
North
America,
with each
sheet
measuring
about 22” x
28”. Perhaps
300 sets of
these prints
were sold,
and were
generally
bound into
two volumes.
Following
the success
of the
Imperial
Folio
edition of
mammals,
another
octavo sized
publication,
by the
Audubons,
called the
Quadrupeds
of North
America,
and
consisting
of 155
different
mammal
prints, was
first
published
from
1849-54, as
the 1st
edition. The
Audubons,
not thinking
of modern
day
classification,
identification,
and
distinctions,
starting
issuing a
2nd edition
of The
Quadrupeds
of North
America
at the same
time they
were still
issuing the
1st edition.
To add to
the
confusion,
the 1st and
2nd edition
prints are
indistinguishable
from each
other when
examined
side by
side.
As a
result, the
1st
edition
(1849-54)
and the 2nd
edition
(1852-55)
were
generally
issued to
subscribers
without
regard for
which
edition
prints were
being sent
to
individual
subscribers.
Therefore,
most early
sets, which
were bound
into three
volumes,
were
comprised of
mixed 1st
and 2nd
edition
prints.
There was a
3rd edition
in 1856, and
a 4th in
1870. It is
estimated
that about
3500
complete
sets of all
155 plates
were issued
from
1849-55. The
name of
Audubon’s
son, John
W., appears
on about
half of the
plates. J.T.
Bowen was
the main
lithographer,
but Nagel
and
Weingaertner
of New York
were the
lithographers
of 29
plates,
among the
first 31
plates in
true 1st
edition
prints
before J.T.
Bowen
replaced
them. Among
the artists
who drew the
images on
the
lithographic
stones were
Trembly and
Hitchcock,
whose credit
lines appear
on very many
prints.
Rarely, you
will find a
credit line
on a print
for the
colorist>
The only one
I have
regularly
seen is for
Lawrence.
J.J.
Audubon died
in 1851,
before the
complete 1st
Edition of
the octavo
Quadrupeds
of North
America
was
completed.
In fact,
because of
his health,
he took no
part in the
production
of this
publication.
However, he
was credited
with about
half of the
drawings for
this
publication
because his
drawings for
the Imperial
Folio
Edition were
reduced and
used in the
octavo
Quadrupeds
of North
America
publications.
The octavo
Birds of
America
was issued
as a seven
volume set,
while the
octavo
Quadrupeds
of North
America
was a three
volume set.
In
1858,the
Audubon sons
(mainly
Victor) set
out to
produce a
reissue of
J.J.
Audubon’s
original
Birds of
America.
It
was to be a
D.E.F. folio
sized
reissue, but
many of the
smaller
songbird
images were
to be
printed 2 to
a sheet.
This
publication
was to sell
by
subscription
at a more
affordable
price. The
newly
developing
process of
chromolithography
was chosen
as the means
for
production.
Julius Bien
of New York,
a renowned
chromolithographer
of the time,
was selected
to produce
the reissue.
For a number
of reasons,
including
the breakout
of the Civil
War in 1860,
production
was halted
and the
project
abandoned.
In all, 150
different
images on
105 sheets
were
produced and
issued. The
publication
was bound
into one
D.E.F. sized
volume. It
is estimated
that 75-100
sets were
sold. While
the Bien
Edition of
Bird of
America
is more rare
than the
Havell
Edition,
according to
numbers
produced,
retail
prices for
the Havell
Edition
prints are
much higher
for the same
print.
This
article is
meant as a
brief
introduction
only. Many
of the
topics
mentioned in
this article
are
discussed in
detail in
other
articles on
this
website.
Literally
scores of
books have
been
published on
the life of
John James
Audubon, and
many other
Audubon
reference
books will
go into
greater
detail about
the life of
Audubon and
the details
of the
various
editions of
Birds of
America
and
Quadrupeds
of North
America.
They are
available at
libraries
and
bookstores
throughout
the Country.
For
further
reading, you
can search
for John
James
Audubon
books at
Internet
websites
such as
Amazon.com
and
BarnesandNoble.com.
Also, if you
have a
reasonably
sized
library in
your area,
you will
find many
books on
Audubon, or
you will be
able to
order
Audubon
books using
regional
library
lending
programs.
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